Showing posts with label American Folk Songs. Show all posts
Showing posts with label American Folk Songs. Show all posts

Saturday, March 14, 2026

Folk Song for October 2026: Home On the Range

The Wikipedia page for this American folk song refers to it as the unofficial anthem of the American West. It is also the Kansas state song. It is credited to Dr. Brewster M. Higley (or Highley) of Smith County, Kansas, who wrote the words as the poem "My Western Home" somewhere between 1871-1873. However, the origins of the song have been debated. As noted on the Wikipedia page, the song has been used everywhere from Bugs Bunny cartoons to cowboy shows and Christmas movies.

In an earlier post about this song, Wendi Capehart wrote this:

"I think it's kind of interesting that this song and "The Road to Gundagai" express similar sentiments- a nostalgic longing and love for home. There are a lot of lyrics to this one, as with most folk songs. Here [below] are some (selected from those in the 1916 Cowboy Songs and Other Frontier Ballads). "

Lyrics


HOME ON THE RANGE

Oh give me a home where the buffalo roam,
Where the deer and the antelope play,
Where seldom is heard a discouraging word,
And the skies are not cloudy all day

CHORUS:

Home, home on the range!
Where the deer and the antelope play.
Where seldom is heard a discouraging word,
And the skies are not cloudy all day

Where the air is so pure, the zephyrs so free,
The breezes so balmy and light
That I would not exchange my home on the range
For all of the cities so bright

(Chorus)

How often at night, when the heavens are bright
With the light from the glittering stars,
Have I stood here amazed and asked as I gazed,
If their glory exceeds that of ours.


Video Links

Roy Rogers' version.

Gene Autry sings another classic cowboy version.




For more information on our folk songs, and for Amazon affiliate 
links to purchase individual songs, see our AO Folk Songs page.
These affiliate links help support AmblesideOnline. 

Wednesday, March 12, 2025

Folk Song for March 2026: Down in the Valley

"Down in the Valley" used to be a song that everybody knew, in some form or other. If it is new to you, we hope that it will become one of your family favourites as well. It may not be quite as old as many traditional folk songs, though. 

According to Wikipedia, it was written by a "moonshiner" named Jimmie Tarlton when he was jailed (in Birmingham, Alabama) in 1925. The song was recorded by Jimmie Tarlton and Tom Darby in 1927.

However, other sources say that the song is much older. This article says, "It is part of the English, Irish, and Scottish courting song traditions that persisted in the Appalachian and Ozark Mountains throughout the nineteenth century. The melody may be derived from J.C. Beckel's "The Happy Home Waltz," published in 1850. Alternately, "Down in the Valley" may be an older tune that inspired Beckel's composition." The early versions are more like courting songs, and don't include the references to jail.

In any case, Tarlton's version inspired many other recordings, as well as performances in movies and television.

Lyrics (these are typical, but there are many variations)

Down in the valley valley so low
Hang your head over hear the wind blow
Hear the wind blow dear hear the wind blow
Hang your head over hear the wind blow.

Roses love sunshine violets love dew
Angels in heaven know I love you
Know I love you dear know I love you
Angels in heaven know I love you.

If you don’t love me love whom you please
Throw your arms ’round me give my heart ease
Give my heart ease love give my heart ease
Throw your arms round me give my heart ease.

Build me a castle forty feet high
So I can see him as he rides by
As he rides by love as he rides by
So I can see him as he rides by.

Write me a letter send it by mail
Send it in care of Birmingham jail [or, "You can address it, Birmingham jail"]
Birmingham jail love Birmingham jail
Send it in care of Birmingham jail.

Recommended Video Links

The Browns (trio). Description includes lyrics.

Faye Tucker, from the album "Belly Up To the Bar: Country and Western Classics to Drown Your Sorrows." Despite the title, this is a good and fairly slow version to learn with.

Clip from the Andy Griffith show. Slightly different tune.

 Some Others You Might Like

Here is Burl Ives' classic version.

"Birmingham Jail" by Leadbelly

Jerry Garcia and David Grisman, from the album "Shady Grove"

A live performance by Glen Campbell.


Our helpful intro post is sure to liven up your folk song adventures.
For more information on our folk songs, and for Amazon affiliate 
links to purchase individual songs, see our AO Folk Songs page.
These affiliate links help support AmblesideOnline. 

Folk Song for February 2026: Wade in the Water (with contributions from Wendi Capehart)

In 2018, our much-loved Advisory member Wendi posted here about the song "Wade in the Water." We thought it would be good to hear again what she had to say about it. (Most of the links given are hers as well.)

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Somehow in the domino effect that happens when chasing down information on the internet I ended up clicking a link to Wade in the Water, a favourite of mine since childhood days.

There are a lot of variations to this one, both to the lyrics and the tune, although the basic heart of the song is always:

Wade in the water.
Wade in the water, children
Wade in the water.
God's gonna trouble the water.

According to Wikipedia, ""Wade in the Water" (Roud 5439) is the name of a Negro spiritual first published in New Jubilee Songs as Sung by the Fisk Jubilee Singers (1901) by John Wesley Work II and his brother, Frederick J. Work (see Fisk Jubilee Singers). It is associated with the songs of the Underground Railroad."

(The Fisk Jubilee Singers are an African-American a cappella ensemble, consisting of students at Fisk University. The first group was organized in 1871 to tour and raise funds for college. Their early repertoire consisted mostly of traditional spirituals, but included some Stephen Foster songs. The original group toured along the Underground Railroad path in the United States, as well as performing in England and Europe. Later 19th-century groups also toured in Europe.)

What does it mean?  Depends on who you ask, and also on who is singing.

Some of the reference are obvious:

For an angel went down at a certain season into the pool, and troubled the water: whosoever then first after the troubling of the water stepped in was made whole of whatsoever disease he had., John 5:4

Moses led the Israelites out of slavery.

Under the surface: it's probably a spiritual celebrating freedom and encouraging it as well, literally.   Harriet Tubman was the Moses of her people. The Ohio River had to be crossed to reach freedom, and often references to the Jordan River were coded references to The Ohio River. It's giving hints on how to get to freedom- wade in the water to keep the blood hounds off your trail, follow our Moses, cross the Ohio river, make it to the other side.  

When God troubles the water... is that a reference to conditions being right to make a run for freedom?  


The background is meaningful and important- but if you only have time for one thing, make it be singing the song (s)

Sing!

Lyrics



Video Links

On the AO Folk Songs webpage, you will see two links to Youtube videos. The first goes to this one by the Staple Singers, and the second goes to this one by the vocal ensemble Chanticleer.

Here are the extra videos that Wendi recommended, with her notes.

Wade in the Water by the Jeemies, the alter-ego of musician and teacher Jimmy Rossi. Mr. Rossi put the lyrics in his video so it's easy to follow along. This version is also fairly simple and easy to follow as it lacks the wonderful improvisation that often accompanies Wade in the Water. [2026 Update: Jimmy Rossi's page is here, but the video is said to be unavailable.]


Wade in the Water by Ella JEnkions and the Goodwill Spiritual Choir

Here's a version by the Blind Boys of Alabama 
  

St James Missionary Baptist church of Canton, 1978

Topher Keene teaches an audience how to sing it in 3 part harmony, a very good teaching/learning recording for those who want extra help (could be fun with an AO/CM co-op)
 

Our helpful intro post is sure to liven up your folk song adventures.
For more information on our folk songs, and for Amazon affiliate 
links to purchase individual songs, see our AO Folk Songs page.
These affiliate links help support AmblesideOnline. 

Monday, April 17, 2023

Folk Song for May 2024: Simple Gifts

Who were the Shakers?

The Shakers are a Christian sect which began in England and was then brought to the American Colonies. Their proper name is the United Society of Believers in Christ’s Second Appearing. They practice pacifism and a communal lifestyle, and are also known for their “simplicity” in various aspects of life, such as their plain furniture.

What is “Simple Gifts?”

The song is attributed to Elder Joseph Brackett of the Shaker community in Alfred, Maine, and it was apparently written to accompany a dance ritual. (The Shaker Museum website has posted a different view of the origins of the song.) It remained largely unknown outside of Shaker circles until the American composer Aaron Copland used its melody in Appalachian Spring, in 1944.

Is it "A Gift" or "The Gift?"

Most written lyrics for the song say "'Tis the gift to be simple." However, at least one of the videos linked below has it as "'Tis a gift to be simple," and if you listen to the way many people sing it, it sounds more like "a" than "the." You can choose whichever way you prefer.

Other Uses of the Tune

English songwriter Sydney Carter adapted the tune and lyrics for his hymn "Lord of the Dance" (1963).

Lyrics

'Tis the gift to be simple, 'tis the gift to be free,
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and to bend we will not be asham'd,
To turn, turn will be our delight,
Till by turning, turning we come round right.

Video Links

This video by Charles Szabo (with piano accompaniment and on-screen lyrics) is a good one for learning the song.

This recording with folk instruments (autoharp and Seagull Merlin strumstick) is also very nice for singing along.

American folk singer Judy Collins included Simple Gifts on her 1970 album Whales and Nightingales.


John Williams created an instrumental version titled "Air and Simple Gifts," which was performed (by Anthony McGill, Itzhak Perlman, Yo-Yo Ma, and Gabriela Montero) at the inauguration of U.S. President Barack Obama in 2009.

Additional Verses: A Challenge

Many people have added verses to this song, according to their own philosophies and convictions. Perhaps this is a writing challenge that AO students would also enjoy.


Our helpful intro post is sure to liven up your folk song adventures.

For more information on our folk songs, and for Amazon affiliate 
links to purchase individual songs, see our AO Folk Songs page.
These affiliate links help support AmblesideOnline.

Tuesday, August 3, 2021

Folk Songs, AO year 2021-22

Folk songs are here!  


The Jam on Jerry's Rocks


This is a logging song.  The quickest way to move logs cut down in the backwoods of North America was to get them to a river and float them down to areas that had roads. But sometimes the logs would jam up and the jam would have to be broken up.  This was hard and dangerous work, like the rest of logging.  Watch the old movie Seven Brides for SEven Brothers for a lighter take

Lyrics are from this version (there are numerous versions ):

https://www.youtube.com/watch?v=F71HYY1EsrU&list=PL2IR3x_bkyR4dpYOGqNSis0tEZDT789j3&index=22

 

Come all you brave young shanty boys,

And have ye all draw near and hear my lamentation

It’s more than I can bear.

Concerning six young shanty boys so manly and so brave

Went down the Jam at Jerry’s Rock and met with a watery grave.

 

'Twas on one Sunday morning as you may plainly hear

The logs were piled up mountains high
We could not keep them clear
The boss did say “turn out me boys with hearts all free from fear.

We’ll break the Jam on Jerry’s Rock and Freegan’s town we’ll steer.”

 

Some of the boys were willing boys, some stunned that way with fright

To work upon a Sunday, they did not think twas right

When six of our Canadian boys, they volunteered to go
To break the Jam on Jerry's Rocks
With the foreman, young Monroe.

 

They had not rolled off many’s a log when the boss of them did say:
“I'll have you all be on your guard, this jam will soon give way”
He scarce had the time to say these words
When the jam did break and go,
And carried away those six bold youths,
And the foreman, young Monroe.

 

When the rest of the young shanty boys

These tidings sad did hear;
The search for their dead comrades, to the river they did steer.

To search for their dead comrades to the river they did go

All mangled, bruised and bleeding was

the foreman, young Monroe.

 

Now they buried him quite decently,
On the 5th of May,
And all his brave comrades, o’er his dead form they did pray.
And engraved upon the hemlock tree that by his grave did grow
the name and date of drowning fate
Of the foreman, young Monroe.

 

So come all you brave young shanty boys and come along with me.

I’ll take you to the riverside to see that hemlock tree

To read the fate of he who was the bravest man to go

To break the Jam on Jerry’s Rock, our foreman, young Monroe.

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According to Contemplator.org, "Gerry's Rocks (Gerrish) are above The Forks, Maine and the events of the tune are related on a rock and tree on the Kennebec River. "Sagmor Town" is a corruption of Saginaw, which is probably a corruption of "Saguenay," a river and site of an Indian settlement."

 However, other folk song collections say the location of Gerry's rocks has never been determined. 

Some variations of Monroe or Monro pulling out the key log that breaks up the jam and dying in that successful effort. Some talk about his mangled body on the beach, and at least one, gulp, refers to his mangled head on the shore. 


According to one site I read, drowning was the leading cause of death among lumberjacks in the 19th and early 20th century, when logs were transported by floating them downriver.


The Wellerman

Lyrics taken from this version: https://www.youtube.com/watch?v=E_8tAyecj2g

This is my favourite song and I've been waiting a year to share it on this play list. If you or your kids know tiktok or know somebody who has tiktok or know somebody who knows somebody who knows... you get the picture- you already have heard this. For me, it has never gotten old. 

Yes, my friends, TikTok, of all social media, made sea chanties cool again in 2020 and 2021.  AO did a rotation of sea chanties several years ago.  Who knew how cutting edge we were?

 

There once was a ship that put to sea

The name of the ship was the Billy of Tea

The winds blew up, her bow dipped down

O blow, my bully boys, blow (Huh!)

 

Soon may the Wellerman come

To bring us sugar and tea and rum

One day, when the tonguin' is done

We'll take our leave and go

 

She'd not been two weeks from shore

When down on her, a right whale bore

The captain called all hands and swore

He'd take that whale in tow (Huh!)

 

Soon may the Wellerman come

To bring us sugar and tea and rum

One day, when the tonguin' is done

We'll take our leave and go

 

Before the boat had hit the water

The whale's tail came up and caught her

All hands to the side, harpooned and fought her

When she dived down low (Huh!)

 

Soon may the Wellerman come

To bring us sugar and tea and rum

One day, when the tonguin' is done

We'll take our leave and go

 

No line was cut, no whale was freed

The Captain's mind was not of greed

But he belonged to the whaleman's creed

She took that ship in tow (Huh!)

 

Soon may the Wellerman come

To bring us sugar and tea and rum

One day, when the tonguin' is done

We'll take our leave and go

 

For forty days, or even more

The line went slack, then tight once more

All boats were lost, there were only four

But still that whale did go (Huh!)

 

Soon may the Wellerman come

To bring us sugar and tea and rum

One day, when the tonguin' is done

We'll take our leave and go

 

As far as I've heard, the fight's still on

The line's not cut and the whale's not gone

The Wellerman makes his regular call

To encourage the Captain, crew, and all (Huh!)

 

Soon may the Wellerman come

To bring us sugar and tea and rum

One day, when the tonguin' is done

We'll take our leave and go

 

Soon may the Wellerman come

To bring us sugar and tea and rum

One day, when the tonguin' is done

We'll take our leave and go

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Things you might want to know: 

This is a New Zealand folksong about whaling, which has been illegal in nearly all countries for several decades^. But it was once the source for all kinds of necessary products, making umbrellas (the bones), soaps, lubricants, lamp oil, candles, and more.

*Commercial whaling is illegal almost everywhere.  Whaling is legal under two circumstances.  When whaling is part of indigenous culture and the countries laws permit, indigenous people may continue traditional whale hunts, although there may be limits on the catch.  Scientific research is another exception.  In Japan whale meat from whales killed for scientific research was sold in restaurants, markets, and sometimes school lunches. While it is not a significant part of the diet of the average Japanese citizen, and many have never tasted it, only a quarter of the Japanese people are opposed to their country's continued whale

* 2018 Japan withdrew from the International Whaling Commission. As of this year, Japan has returned to commercial whaling under quotas.

The Billy o' Tea is likely a fictional ship (the name is literally a tin can repurposed to boil water for tea) and this song has the elements of a great myth or legend- like the Flying Dutchmanor a number of ghost ships of spooky stories and unsolved mysteries, imagine the ship and crew sailing the seas forever ,in and out of the mists, never ending the hunt, dragged by the whale forever, waiting for a visit from the ship that will bring them things they need that they can't produce from the camp on shore where they'll cut up and render the blubber. 

The Wellerman- The Weller company was real, and the Weller Man delivered the supplies and checked up on the ships out from port. More here.

Nathan Evans popularized this on TikTok and has a recording contract now. He also has the most beautifully thick Scots accent and I hope it never changes.

A right whale is one of three species of large baleen whales. The baleen was used for things we'd make with plastic today.  Plastic is a mess but it probably saved the whales, along with petroleum and natural gas and other things that replaced the light sources that relied on whale oil. The only species with more bulk is a blue whale, and sailing ships were not that big.

Tonguing is stripping the blubber from the whale. It's a nasty, messy, smelly, hard job. 

 

There is a Time for Us to Wander

 

There is a time for love and laughter
The days will pass like summer storms
The winter winds will follow after
But there is love and love is warm

There is a time for us to wander
When time is young and so are we
The woods are greener over yonder
The path is new, the world is free

There is a time when leaves are falling
The woods are grey, the paths are old
The snow will come when geese are calling
You need a fire against the cold

There is a time for us to wander
When time is young and so are we
The woods are greener over yonder
The path is new, the world is free

So do you roamin’ in the springtime?
And you find your love in the summer sun
The frost will come and bring the harvest
And you can sleep when day is done

Time is like a river flowin'
With no regrets as it moves on
Around each bend the shinin’ mornin’
And all our friends we thought were gone

There is a time for us to wander
When time is young and so are we
The woods are greener over yonder
The path is new, the world is free
The path is new, the world is free

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The Darlings sang it on the Andy Griffeth episode or two.  The Darlings were a fictional hillbilly family played by the more sophisticated Dillards. You can read about the Dillards here.  This is not public domain, so don't perform it for money.=)


Land of the Silver Birch

Land of the Silver Birch is a popular Canadia campsong.  It very probably originated at a Canadian boy or girl scout camp in the 20s.  It is not one of the older folk songs, and it is not of First Nations song. I'd change wigwam to camp tent or cabin if it were my family singing it.  The tune is fun, catchy, and the littlest kidlets are going to be adorable singing the boom diddy boom booms.

Lyrics are for this version:
https://youtu.be/wi14Rrf2d5I

 

Land of the silver birch

Home of the beaver

Where still the mighty moose

Wanders at will

Blue lake and rocky shore

I will return once more

 

Boom de de boom boom, boom de de boom boom

Boom de de boom boom, boom.

 

Down in the forest, deep in the lowlands

My heart cries out for thee, hills of the north

Blue lake and rocky shore, I will return once more

 

Boom de de boom boom, boom de de boom boom

Boom de de boom boom, boom

 

High on a rocky ledge, I ’ll build my wigwam,

Close to the water’s edge, silent and still

Blue lake and rocky shore, I will return once more

 

Boom de de boom boom, boom de de boom boom

Boom de de boom boom, boom

 

Land of the silver birch home of the beaver

Where still the mighty moose, wanders at will

Blue lake and rocky shore, I will return once more

 

Boom de de boom boom, boom de de boom boom

Boom de de boom boom, boom.

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Haul on the Bowline

 

 

Haul on the bowline, our bully ship's a-rollin'

Haul on the bowline, the bowline Haul!

 

Haul on the bowline, Kitty is my darlin'

Haul on the bowline, the bowline Haul!

 

Haul on the bowline, Kitty lives in Liverpool,

Haul on the bowline, the bowline Haul!

 

Haul on the bowline, the old man is a-growlin,

Haul on the bowline, the bowline Haul!

 

Haul on the bowline, so early in the mornin'

Haul on the bowline, the bowline Haul!

 

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Another Sea Chanty. Possibly one of the oldest still sung today. 

A bowline is both a special knot, and something related to moving the ship on a line. You can read more about that here.

 

Revolutionary Tea

https://www.youtube.com/watch?v=1dL2REyRmlM

 

 

There was a rich lady lived over the sea

And she was an island queen.

Her daughter lived off in a new country

With an ocean of water between.

With an ocean of water between.

 

Now old lady’s pockets were full of gold,

But never contented was she;

So, she ordered her daughter to pay her a tax

Of three-pence a pound on her tea.

Of three-pence a pound on her tea

 

“Oh, mother, dear mother,” the daughter replied,

“I’ll not do the thing that you ask.

For I’m willing to pay a fair price on the tea,

But never a three-penny tax.”

But never a three-penny tax

 

“Oh You shall,” cried the mother and reddened with rage,

“For you’re my own daughter, you see,

And it’s only proper for a daughter to pay

Her mother a tax on her tea.”

Her mother a tax on her tea.”

 

So she ordered her servants to be called up

To wrap up a package of tea.

And eager for three pence a pound, she put in

Enough for a large family.

Enough for a large family

 

She ordered her servants to bring the tax home,

Declaring her child must obey,

Or, old as she was and woman half grown,

She’d half whip her life away.

She’d half whip her life away.

 

So, tea was conveyed to the daughter’s own door,

All down by the ocean’s side,

But the bouncing girl poured out every pound

In the dark and boiling tide.

In the dark and boiling tide.

 

And the daughter cried out to the island queen,

“Oh, mother, dear mother,” cried she,

“The tea you may have when ’tis steepened enough,

But never a tax from me.”

But never a tax from me.”

 

An American revelution song, as always, feel free to substitute something else.  

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Farewell to Nova Scotia


For more Nova Scotia folk songs, you want to know more about Carrie Grover

 

Farewell to Nova Scotia
And your sea bound coast
Let your mountains dark and dreary be
When I am far away on the
Briney oceans tossed
Will you ever heave a sigh
Or a wish for me

The sun is setting in the west
The birds are singing from every tree
All nature seems inclinded to rest
But still there will be
No rest for me

I grieve to leave my native land
I grieve to leave my comrades all
And my aged parents
Whom I love so dear
And the bonny bonny lassie
That I adore

Farewell to Nova Scotia
And your sea bound coast
Let your mountains dark and dreary be
When I am far away on the
Briney oceans tossed
Will you ever heave a sigh
Or a wish for me

 

The drums do beat the wars do alarm
The captain calls, I must obey
Farewell, farewell to Nova Scotia's charms
For it's early in the monring
And I'm far far away



Farewell to Nova Scotia

And your sea bound coast
Let your mountains dark and dreary be
When I am far away on the
Briney oceans tossed
Will you ever heave a sigh
Or a wish for me

I have 3 brothers they are at rest
Their arms are folded on their chest
But a briney sailor just like me
Must be tossed and driven
In the deep blue sea

Farewell to Nova Scotia
And your sea bound coast
Let your mountains dark and dreary be
When I am far away on the
Briney oceans tossed
Will you ever heave a sigh
Or a wish for me

 

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Ballad of New Scotland

 

Let's away to new Scotland, where Plenty sits queen

O'er as happy a country as ever was seen

She blesses her subjects both little and great

With each a good house and a pretty estate.

Derry down, down

Down, derry down.

 

There's wood and there's water, there's wild fowl and tame

In the forest good ven'son, good fish in the stream

Good grass for our cattle, good land for our plough

Good wheat to be reaped, and good barley to mow.

Derry down, down

Down, derry down.

 

No landlords are there the poor tenants to tease

No lawyers to bully, nor stewards to seize

But each honest fellow's a landlord, and dares

To spend on himself the whole fruit of his cares.

Derry down, down

Down, derry down.

 

They've no duties on candles, no taxes on malt

Nor do they, as we do, pay sauce for their salt

But all is as free as in those times of old

When poets assure us the age was of gold.

Derry down, down

Down, derry down.


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Day-O, The Banana Boat Song

 This is a traditional Jamaican folk song popularized for us by Harry Belafonte.  Born in America, grew up in Jamaica, he brought a number of the traditional songs of the area to the airwaves and made the world familiar with them.


I don't know who needs to hear this, but there is nothing racist about singing traditional folk songs like this one (or like Brown Girl in the Ring), unless you are doing it to mock, wearing blackface, or deliberately mangling the beautiful accent. If you can't do it right, no shade,  just sing without attempting the Jamaican lilt.  




Day-o, day-ay-ay-o

Daylight come and me wan' go home

Day, me say day, me say day, me say day, me say day, me say day-ay-ay-o

Daylight come and me wan' go home

 

Work all night on a drink a rum

(Daylight come and me wan' go home)

Stack banana 'til the mornin' come

(Daylight come and me wan' go home)

 

Come, mister tally man, tally me banana

(Daylight come and me wan' go home)

Come, mister tally man, tally me banana

(Daylight come and me wan' go home)

 

Lift six foot, seven foot, eight foot, bunch

(Daylight come and me wan' go home)

Six foot, seven foot, eight foot, bunch

(Daylight come and me wan' go home)

 

Day, me say day-ay-ay-o

(Daylight come and me wan' go home)

Day, me say day, me say day, me say day, me say day, me say day

(Daylight come and me wan' go home)

 

A beautiful bunch of ripe banana

(Daylight come and me wan' go home)

Hide the deadly black tarantula

(Daylight come and me wan' go home)

Lift six foot, seven foot, eight foot, bunch

(Daylight come and me wan' go home)

Six foot, seven foot, eight foot, bunch

(Daylight come and me wan' go home)

 

Day, me say day-ay-ay-o

(Daylight come and me wan' go home)

Day, me say day, me say day, me say day, me say day, me say day

(Daylight come and me wan' go home)

 

Come, mister tally man, tally me banana

(Daylight come and me wan' go home)

Come, mister tally man, tally me banana

(Daylight come and me wan' go home)

 

Day-o, day-ay-ay-o

(Daylight come and me wan' go home)

Day, me say day, me say day, me say day, me say day, me say day-ay-ay-o

(Daylight come and me wan' go home)

 

For more information on our folksongs and a link to purchase at Amazon, see our folksong webpage. These are affiliate links for AO

If you're interested in a serious read about bananas and their economic history, for middle school and up through to parents who like to learn, try Bananas: The Fate of the Fruit that Changed the World.  Or the harder to find Honduras, the Making of a Banana Republic. (high school and up)

 

This is a bonus song- use it if you prefer to make a substitution for any of the songs above. It comes from St. Simon's Island, Georgia (the U.S.), and was heard sung at night funerals as boatsman rowed across the water. Picture that scene.  It's both beautiful and eerie.  You can read a bit more about it here (number 28, lay this body down).

I first heard of it in that book, originally published in 1867 as Slave Songs of the United States, and it took me a couple years to find musical versions online to share.


I Know Moonlight, I Know Starlight

 

I know moonlight,

I know starlight,

I lay this body down.

 

I walk in the moonlight,

I walk in the starlight,

I lay this body down.

 

I know the morning

And the evening star

I lay this body down.

 

Oh, graveyard,

Oh, graveyard,

I lay this body down.

 

I walk in the graveyard,

I lay in my grave,

I lay this body down.

 

I lay in my grave,

I feel my grave's side,

I lay this body down.

 

I go to the judgment,

In the evening of the day,

When I lay this body down.

 

Then my soul and your soul

Will meet on that day,

When I lay this body down.

 

I know moonlight,

I know starlight,

I lay this body down.


For more information on our folksongs and a link to purchase at Amazon, see our folksong webpage. These are affiliate links for AO

  Huge thank-yous to Sarah Clements for transcribing lyrics for me, and to Katie Blount, Emma Beals, and Liz Ringger Talbot for helping with finding links at Amazon, and to my grandchildren who are so often my folksong guinea pigs that one of them now rolls her eyes as soon as I start singing and says sotto voice, "Okay, who got her started this time?"  She lisps, so it's actually really cute.

My Youtube Playlist:
https://youtube.com/playlist?list=PL2IR3x_bkyR4dpYOGqNSis0tEZDT789j3

Postscript- that is not a typo or a spelling error.  The original and still preferred (by me) spelling is sea chanty or chantey, with a c. 
1856, also shantychantey "song with a boisterous chorus, sung by sailors while heaving or hoisting anything heavy;" probably an alteration of French chanter "to sing," from Latin cantare "to sing" (from PIE root *kan- "to sing"). Perhaps the immediate source is French chantez, imperative of chanter. The purpose was to enable them to pull or heave together in time with the song.

https://www.etymonline.com/search?q=chanty

Since 1820, shanty has meant a rough cabin or shack, and specifically a lumberjack's temporary camp housing.  See The Jam on Jerry's Rock above. 
 In 1867 it started to be used also as a variation of chanty or chantey, but since it also still means a rough cabin or shack, that's seems like it came from a ubiquitous error, not from a sensible application of logic and right thinking. ;-D